AMADEUS PRO 2.3 PROFESSIONAL

Mark Fastoso & Leon Swerdel-Rich, Promotional and Production Video.Stanley Photography, Production Photography Brittany Diliberto & Bee Two Sweet Photography, Promotional Photography.Emily Tartanella & Jeff Herrity, Marketing Consultants.OpenBox9, Graphic Design and Advertisement Agency.Kara Jobe, For Eisenburg/Beans Casting Casting Intern.Kristen Roth, Assistant Master Electrician.

Jamie Bagley & Lucy Wakeland, Wig Builders.Daisy Howard & Kristina Martin, Stitchers.Jeannette Christensen, Assistant Costume Designer.Juliet Jewett*, Assistant Stage Manager.Kate Kilbane*, Production Stage Manager.Manna-Symone Middlebrooks, Folger Casting & Assistant Director.Eisenburg/Bean Casting, New York Casting.Jeff Allen Young, Emperor Joseph II, Kapellmeister Bonno, & Salieri's Valet.Ned Read*, Baron von Swieten & Count Orsini-Rosenburg.Deidra LaWan Starnes*, Madame von Strack.

John Taylor Phillips*, Emperor Joseph II.

James Joseph O'Neil*, Count Orsini-Rosenburg.

AMADEUS PRO 2.3 PROFESSIONAL

Right then and there, Salieri swears off God and religion and decides to dedicate himself, instead, to ruining Mozart’s career as a way to wage war on God.Įntertainment unions represented in Folger Theatre productions include The Stage Directors and Choreographers Society (**), United Scenic Artists (***), and the Actors' Equity Association (*), which includes members of the Union of Professional Actors and Stage Managers. Mozart’s music is indeed the thing of myths…its genius pierces through to the very soul of Salieri, who cannot reconcile the man whom he calls the “filthy creature” and the “absolute beauty” of Mozart’s God-given musical genius. Salieri’s first encounter with Mozart is an accidental eavesdropping on a profane, private moment between Mozart and his fiancée. He has not met Mozart but is thrilled to learn Mozart is in Vienna for a performance. The young Salieri, a devout Catholic who has vowed to dedicate his life to composing music in the name of God, is a favorite of the Royal Court. The story turns backward in time to 1781. Now an elderly man in a wheelchair, Salieri speaks directly to the audience and begins to explain the story behind the rumors. The play opens in Vienna, November 1823, where whispers and rumors are rampant that Antonio Salieri, once the famed director of the Italian opera and a favorite of Emperor Joseph II, has admitted to murdering Wolfgang Amadeus Mozart thirty-two years prior. Winner of 5 Tony Awards®, including Best Play. Salieri will do everything in his power to destroy his musical rival-Wolfgang Amadeus Mozart. When an impulsive and eccentric prodigy outshines an envious composer, theatrical fireworks emerge. Genius and jealousy collide in the opulent salons and opera houses of 18th-century Vienna in this Tony Award-winning play.

Amadeus pro 2.3